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In March 2018, The xx took their advanced pop experiment in fortified introspection to its most cripplingly self-conscious conclusion.
The xx debuted a new song at The Armory, Performance.
In retrospect, The Armory shows were a line-in-the-sand moment for The xx.
They had reached the furthest limits of their experiments in the monochromatic.
A hard won light was beginning to beckon.
It is a record that sees them performing with optimum new nerve, transparency and clarity.
Because it is made by The xx, its implicit boldness is sculpted from a tough and tender space, one which stretched its limits for expansion against the core musical aesthetic Romy and Oliver first found as 16-year-olds playing on a stage together.
Its lyric sheet moves from the danger and hopelessness of love to its deliciousness and rapture; a designated player slots into a more outward looking proposition.
I See You is recognisably still The xx but now powered by voluble ambition, of the three perfect counterweights to one another starting to not just realise but harness their full potential.
You might even want to think of the decisive move from Joy Division to New Order here, too.
The Armory shows turned out to be a double bluff.
When they take their plum festival slots in 2018, armed with the ten most robust songs of their career The xx should prick the skin and touch gently the shoulder of an audience reaching to the back of the field.
I See You is split in two down the middle by Performance, the most cognisant xx song of the suite.
The metaphor at the centre of the ballad is pure Bacharach and David.
The delivery is something else.
Though shimmering resolutely from the half-light to the spot, it unleashes in Romy something confident and spacious.
Since stepping tentatively onto stage barely out of childhood, Romy has had to learn to embrace her inner frontwoman.
But then all of The xx have challenged themselves in the making of I See You.
For Jamie, this manifested itself most pertinently in becoming a solo, if still xx-branded artist with his sensational club suite, In Colour.
Observing it, I found, made me appreciate what I do a lot more.
I did feel like I was missing something, too.
But it also inspired a hunger.
But I do really enjoy it.
It did come as a surprise.
I get a lot of confidence from doing it and it was hard not having that for a while.
For second album Coexist the trio had locked themselves away in a small room in Designated player slots, Islington, refusing to play anything to outsiders until they deemed it ready.
Three introverts getting used to being stared at and scrutinised was always going to be difficult emotional territory to surf.
The xx have sold 2.
They have platinum and gold discs amassed from across Europe, the More info, Australia.
Their multimillion streaming and social media stats are dizzying.
The construction of the third xx record could not have differed further from its predecessor.
They travelled to Los Angeles, Marfa, Texas, New York, Iceland.
After a road trip in which they played soft rock all the way from Portland to LA, they decamped to a studio in the Hollywood Hills and recorded repentant party-boy apologia, Replica there and then.
The dappled sunlight of yacht-rock is a new texture for The xx.
With their unforeseen reach, The xx have quietly become trusted hands across the wider pop hemisphere.
Romy has written with Kelela, Jamie famously produced for Drake and Alicia Keys.
They curated their own festival, Night and Day, extending branches from London to Berlin and Lisbon.
Oliver would make sure to be on site first thing every morning, to greet each artist they had booked individually.
Part of the strive for self-improvement that demarks the new designated player slots for The xx on I See You comes from their faithful devotion to music not just as artists but as fans, too.
While living in LA for a spell, Romy attended writing camps of the sort designated to factory fashion hits for the megastars of the day, including a session with hit-maker for hire Ryan Tedder.
I knew it was going to be a test.
While Romy was learning the whys and wherefores of the hit factory and Jamie toured his solo record, Oliver fronted campaigns for the esteemed menswear wing of French fashion house Dior.
The xx were once a lesson in beautiful compression, of looking inward, a study in quietude and subtlety.
They are three best friends who obsessed together, drifted apart and found an invigorated new meaning and purpose with I See You.
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It feels like the start of a new dawn for The xx.
The record ends with the song Test Me, a unified declaration of how much that love can hurt but how, when it chimes in tandem, there is nothing that can quite match it.
We went through lots of ways of saying that and I See You seemed the best.
I just like the memories I have of us being on stage.
The thought of sharing the stage together again is perfect.
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